Download PDF by E. J. Gold: Amazing Sculpture You Can Do (Gateways Fine Art)

By E. J. Gold

ISBN-10: 0895562588

ISBN-13: 9780895562586

Superbly illustrated with educational photographs, this guidebook enables artists of all levels to create their personal unique clay sculptures. subject matters lined contain step by step techniques on tips on how to decide an armature, clay program, tips about which instruments to exploit, and proposals for casting accomplished sculptures.

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Additional info for Amazing Sculpture You Can Do (Gateways Fine Art)

Example text

The third element in the mix is linseed oil, which is when not in combination with Damar Varnish and/or turpentine, actually digestible. It's also called flaxseed oil. Another oil that's used commonly in painting and sculpture is mineral oil. Mineral oil is also known as baby oil. And it is also digestible except it shouldn't be given to small children because they can inhale it. If you swallow it, you're fine, it'll go right through the system, but if you inhale it, it goes into the lungs, even the slightest bit, and it's cumulative, and it never leaves the lungs.

39 Soft clay will load best onto your armature. Hard clay won’t stick to either the metal armature or to the larger body of clay. Your job now is to make the big hard brick of Plastilina into small soft blobs of useable clay. 40 Cutting the slab into smaller pieces might require help from a friend, neighbor or fellow artist. You’ll soon find that sharing a studio has many advantages, including sharing the model fees, shipping costs and helping each other with heavy objects. 41 This is about the right thickness of a slab cut.

46 Start with little blobs, about the size of a garbanzo bean or large garden pea. 47 Clay gets used over and over again. You can add mineral oil or add new clay to old clay to make old clay soft. The Plastilina will easily outlast several dozen generations of sculptors. 48 You must refresh your Roma Plastilina slightly every time it comes back from the foundry, because it will come back full of mold-release, similar to your baby or mineral oil, which must be worked in by kneading. It may have dried out somewhat if the foundry has had it in a hot, dry environment for several months or a year if they’ve gotten backed-up on their pours, which does happen when a worker gets sick or injured.

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Amazing Sculpture You Can Do (Gateways Fine Art) by E. J. Gold

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