By Andrew T. Kenyon, Peter D. Rush
This detailed quantity of "Studies in legislations, Politics, and Society - The Aesthetics of legislation and tradition: Texts, photos, monitors" - examines practices of illustration and their relation to juridical and cultural formations. The chapters variety around the media of speech and writing, notice and photograph, laws and judgment, literature, cinema and images. The contributions draw on disciplines together with jurisprudence, literary feedback, philosophy, cinema experiences, artwork and visible reviews, cartography, historiography and medication. they're ordered in line with 4 famous topics in modern, theoretically trained serious scholarship: Crime Scenes: Sexuality and illustration; websites Unsaid: Testimony, snapshot, style; (Post) Colonial Appropriations; and display tradition: Sovereignty, Cinema and legislation.
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Additional resources for An Aesthetics of Law and Culture, Volume 34: Texts, images, screens (Studies in Law, Politics, and Society) (Studies in Law, Politics, and Society)
This allegorisation of history as a tidal wave was initially voiced by the High Court of Australia in Mabo v Queensland [No. 2] (1992) which, ironically, was the first judgment to overturn the doctrine of terra nullius and recognise the existence (and subsequent extinguishment) of native title in the extant Australian legal system. It is taken up again in the Federal Court case of Nulyrimma (1999). The specific claim made by the Aboriginal claimants was that a policy of cultural genocide was again being pursued through current federal government policies in relation to native title laws.
Cambridge, MA: Harvard University Press. Alter Egos: The Mise-en-Sc`ene of Law and Aesthetics 29 Felman, S. (2002). The juridical unconscious: Trials and traumas in the twentieth century. Cambridge, MA: Harvard University Press. Fish, S. (1989). Working on the chain gang: Interpretation in law and literature. In: S. ), Doing What Comes Naturally: Change, Rhetoric and the Practice of Theory in Literary and Legal Studies (pp. 87–102). Durham: Duke University Press. Foucault, M. (1972). The archaeology of knowledge.
In fact, the modern normativity of power disables the particular claims of a nation-state from ever remaining simply particular to that state; it entails that its value derive from its validity for all places. In short, modernity articulates the power and authority of law in terms of a join between the biopolitical and universalism, between the retail and wholesale operations of power-knowledge. ” The threshold that is invoked by Hussain is an imagining of another dynamic of the universal and contingent for which the relevant rhetorical figure and opening is catechresis.
An Aesthetics of Law and Culture, Volume 34: Texts, images, screens (Studies in Law, Politics, and Society) (Studies in Law, Politics, and Society) by Andrew T. Kenyon, Peter D. Rush